Once the cult of the Carnifex was celebrated throughout the City of a Thousand Gates. This is the Spanish language edition of our classic adventure from our publishing partner Other Selves.Īt the end of a forgotten back alley, in the weird and otherworldly marketplace of faiths known as the Bazaar of the Gods, stands the ruins of a forgotten chapel. Its dungeons are also heraldic glyphs, its monsters and characters sprawl across double-page spreads like the figures of an illuminated gospel from a fallen post-singularity world.ĭCC #70: Jewels of the Carnifex – Spanish Edition

Silent Titans combines the fervid, intensely vibrant, Escher-like artwork of Dirk Detweiler Leichty and the strange dream-vision prose of Patrick Stuart on every page. Driven through this like needles through skin, are terrifying shards of a distant, ruined, high-technology reality whose broken weapons and poisonous ontological waste has been dumped and hidden in its own past. In its geography, society, environments, and characters are warped or alternate versions of the Wirral Peninsula in North West England. Silent Titans is set in a world wracked by time spasms and dimensional collapse. If you are familiar with the general conventions of old-school play or light d20 mechanics, you should be able to expand Silent Titans to any of the main OSR systems. Brave the strange environment, investigate the dungeons, get the treasure and you can escape. Silent Titans includes an overland area isolated by mysterious phenomena, a central town, a scattering of settlements and five unique non-Euclidian dungeons. Stewart, who produced) is set largely in a New York nightclub owned by Chazz Davenport (Gabriel Mann), who finds himself torn between the affections of rival singers Crystal (Bijou Phillips) and the mysterious new chanteuse Madelaine (Izabella Miko).This is Silent Titans, an adventure, a game, a work of art, a mystery, a book of post-singularity dream-imagery. Wallace King’s convoluted and often laughably over-the-top screenplay (based on a stage musical written by Glenn M. John, Aaron Neville, BB King and other soul/R&B veterans - has little going for it other than its undeniably atmospheric visuals.

This music-infused drama set in the 1930s is all too redolent of its stage origins and - despite a musical score featuring numbers sung by the likes of Etta James, Natalie Cole, Dr.

An unwieldy combination of film noir and film musical, “Dark Streets” doesn’t manage to be effective on either level.

Dark streets & darker secrets